They both connive in the marriage of these two teenagers, knowing that any such thing would be strictly forbidden by their parents. Prologue Quiz Answer: Metonymy “Two households” is an example of metonymy. What an Elizabethan audience would most have latched on to was that the protagonists were ‘star-crossed lovers’ and the audience knew then that they were in for a good time, watching a series of disasters brought about by preordained bad luck. Both families are equally high in rank within the city of Verona.
From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life Whose misadventured piteous overthrows Do with their death bury their parents' strife.” ― William Shakespeare, Romeo and Juliet.
[5]– From forth the fatal loins of these two foes (C) The chorus is now telling the audience that the whole story just laid out will be performed on the stage. Perhaps Shakespeare was too sophisticated to go along with the established science of his time. It was very complicated and a very powerful influence still in Elizabethan life.
A baby comes forth from its mother’s loins. Nothing else would be strong enough to end the hate.
Verona is in northern Italy. (D). From ancient grudge break to new mutiny, From forth the fatal loins of these two foes A pair of star-crossed lovers take their life, Whose misadventured piteous overthrows Doth with their death bury their parents’ strife.
Romeo kills Tybalt, and as the unfortunate young man lies dead, Romeo looks up at the heavens and cries, ‘O, I am fortune’s fool!’. The iambic pentameter continues as well, even though it is not marked. 2 They often lasted several hours or even an entire afternoon.
Misadventures are bad adventures, or bad experiences. From forth the fatal loins of these two foes So what Romeo is saying is that he is completely at the mercy of Fate. What here shall miss, our toil shall strive to mend. Note how the lines have been broken up to show the meter: [1] Two house / holds, both / alike / in dig / nity (A), [2] (In fair / Vero / na, where / we lay / our scene), (B), [3] From an /cient grudge / break to / new mu / tiny, (A), [4] Where ci / vil blood / makes ci / vil hands / unclean. ” He hears the guard coming and says that he can’t afford to be found there. Their old grudges will erupt in bloodshed and stain their hands. And the anger that continues between the lovers’ parents…. There are no exceptions. “Two households, both alike in dignity In fair Verona, where we lay our scene From ancient grudge break to new mutiny Where civil blood makes civil hands unclean. [13] The which, if you with patient ears attend, (G) Friar Laurence has just married them, but now these two deaths have ruined what may have turned out to be a better future for the couple. © 2004 – 2020 No Sweat Digital Ltd. All rights reserved. This anomaly is interesting to people who wish to look deeper. This line is likely placed to enhance the rhythm of this sonnet. Where civil blood makes civil hands unclean. The death of Romeo and Juliet is pre-determined with this line. Two lovers are born from these warring families. The fearful passage of their death-marked love This analysis may make writing essays a bit easier as well. Two households both alike in dignity. In the first place, the lovers are very young.
[11]- Which, but their children’s end, naught could remove, (E) [8]– Doth with their death bury their parents’ strife. Consider the play on words here with the two uses of the word “civil.” Even though they are supposed to be “civil” or seemly, decent, and well-behaved families, not soldiers, they still shed blood and are guilty of violence.
She then kills herself. The very first scene of the play (the one that follows this prologue) is a brawl that starts because of some harsh words between the servants of both families. The fear-filled and thrilling story of how the lovers died, and how that death was the ONLY thing that could end the feud, these are the things we will perform onstage today.