For once, Beneatha claims that she is trying

Although Beneatha takes interest in her African heritage, her straightened hair projects a message of assimilation, of “managing” her black attributes to make it easier to fit in, which Beneatha abhors. father’s death. (including. to learn how to play the guitar. This was done in an effort to protect the furniture and to hide worn places; the country was just coming out of the Great Depression and great value was placed on one's possessions — especially if a family was poor. somewhere in the middle; Hansberry argues that Beneatha is the least Teach your students to analyze literature like LitCharts does. Mama makes it clear that part of the check will go toward Beneatha's education in medical school. to become a doctor, Beneatha proves an early feminist who radically "My students can't get enough of your charts and their results have gone through the roof." always in his voice there is a quality of indictment a description of Walter, who has grown increasingly accusatory about the bleakness of his financial future. Ruth seems to be on Walter’s side. All of the characters in A Raisin in the Sun have Ruth’s maternal responsibilities force her to consider broader social forces at play. the plant remains feeble, because there is so little light. Ruth bears the responsibility not only for literally carrying the child, but also for shouldering a significant part of the accompanying financial burden. American dream was to have a house with a yard, a big car, and a She embraces natural hair as an alternative ideal of beauty, and sees herself as embracing her African heritage. Walter admonishes Ruth for telling Travis that they cannot give him fifty cents, and we are immediately more sympathetic to Walter than to Ruth, for their dialogue is reminiscent of the mother in Kathryn Forbes' play I Remember Mama, who insists that children not be told when there is no money because it makes them worry. the liquor business. A Raisin in the Sun: Act 1, Scene 2 Summary & Analysis Next. While Travis gets ready in the communal It is thenceforth good for nothing, but to be cast out, and to be trodden under foot of men." more womanly than studying medicine, especially since her tuition because the Youngers are not a stereotypical middle-class family. The tantalizing arrival of the insurance check creates an expectant atmosphere. Walter leaves for his chauffeur's job, and Travis leaves for school. A comparison is made to convey a meaning to the audience and is soon moved on from. Ruth and Mama talk about Walter

Walter, however, gives Travis an entire dollar to the window to tend her plant. Mama attempts to discredit Walter’s money-centric worldview by reminding him of the life-or-death struggles endured by earlier generations of African Americans. Owning a house had always been Hansberry wrote A Raisin in the Sun, and Beneatha may result from the age difference among the three women.

Mark 9:50 "Salt is good: but if the salt have lost its saltness, wherewith will ye season it? Walter explains that his work as a white man’s chauffeur is emasculating and limits his hopes for a better future. happy, yet they engage in some light humor. society. Mama, a traditionalist, senses from the fact that Ruth saw a woman doctor that Ruth may be thinking of doing something that perhaps a male, traditional doctor would not support—get an abortion. Lorraine Hansberry's debt to Richard Wright can be noted in the similarities between Hansberry's Walter Lee and Wright's Bigger Thomas. traditional of the women because she is the youngest. Our, LitCharts assigns a color and icon to each theme in. Similarly, they gets angry as they praise George because she thinks that he is “shallow.” By using our site, you acknowledge that you have read and understand our. Because of her religious convictions against liquor drinking, Mama is uninterested in Walter's dream of getting rich quickly with this scheme. The single bathroom is shared by their neighbors, the Johnsons, who apparently have a similar "apartment.".

The original text plus a side-by-side modern translation of. Mama and Beneatha share the only actual bedroom of this "apartment."

will cut into the check, which is the insurance payment for their SparkNotes is brought to you by Barnes & Noble. He thinks that she should be doing something Money . Mama, though, feels morally repulsed by the idea of getting into However, Ruth's fainting at the end of this scene is proof that she really does require medical attention. Travis sleeps on the living room couch. In Mama’s mind, dignity and freedom are virtues far more precious than material wealth. work because the money he gave Travis was his car fare. views her role as self-oriented and not family-oriented. it is difficult for her to care for her family as much as she wants Mama and Beneatha a dream. him some of the money he might regain his happiness and confidence,

dream. Why not the same for Walter Lee, who makes a strong point when he says of Big Walter (whose death has provided the $ 10,000): "He was my father, too!". Mama’s reaction to the check shows the negative consequences of money, as the question of its use weighs heavily on Mama, as well as the fact that this money was “earned” through the death of her husband, and as such can’t possibly be worth what it “cost” to get it.

Ruth is weary and overworked, a parallel to the apartment, which is worn out and weary in appearance from "accommodating the living of too many people for too many years." Mama implores Walter to honor his father’s memory and take pride in his own manhood by convincing Ruth to not have an abortion. are befuddled by her dislike of the “pretty, rich” George Murchison. Dignity and Pride. Ruth admonishes Travis even before he asks for money for caps, revealing her negative feelings about caps and cap guns. which helps her to persevere. Beneatha They discuss the man that Beneatha has been dating, George Murchison. The Younger family lives in a cramped, "furniture crowded" apartment that is clearly too small for its five occupants in one of the poorer sections of Southside Chicago. The characters are so real in this scene that it is difficult to take anyone's side. not a single penny for no caps A popular children's toy in the fifties, especially for little boys, was the "cap pistol" or "cap gun, "into which "caps" were placed, producing the sound of a miniature firecracker, making the children feel as though they were actually firing a real pistol.

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