In order to critique his family members without directly insulting them, for example, Jason demands that each person wear a mask reflecting the “opposite” of his or her nature: the face of greed, avarice, and cruelty for Wilfred (a cunning businessman); the face of a gutless coward for Emily (a whining hypochondriac); the face of skin-deep vanity for Paula (a shallow narcissist); and the face of a dull, stupid clown for Wilfred Jr. (an oafish and sadistic bully). The most famous of these second winds was Lucille Ball’s, but former starlets like Gloria Swanson, Loretta Young, Mary Astor and Ida Lupino also reaped the benefits of the medium.1 In Lupino’s case, this second wind was both before and behind the camera.

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Guide also includes creative response questions. https://en.wikipedia.org/w/index.php?title=The_Masks&oldid=973785365, The Twilight Zone (1959 TV series season 5) episodes, Television episodes written by Rod Serling, Short description is different from Wikidata, Television episode articles with short description for single episodes, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 August 2020, at 05:45. Viewers with an eye for detail may likewise appreciate the physical attributes of Keith, whose raspy voice, skeletal visage, and emaciated body serve to outwardly reflect Jason’s impending death.

This New Orleans-set chamber piece scripted by Serling centres on “Mr Jason Foster: a tired ancient who on this particular Mardi Gras evening will leave the Earth.

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The Twilight Zone: “The Masks” (Ida Lupino, 1964) Ben Kooyman.

April 15, 2018 2 Comments. | I don’t know if that was part of the script or Selzer adding a little something that wasn’t there, but it gives him far more of a characterization than the rest of the actors.

he says as he dies. In this episode, set on Mardi Gras, a dying man coerces his relatives into wearing grotesque masks that reflect their true personalities.

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It reminded me of Where is Everybody? The character of Jason should be commended for his sarcastic barbs, which, in addition to being quite humorous and extremely well-timed, offer subtle glimpses into the tainted souls of all four relatives. Tagged: anthology, fantasy, live action. After dinner, the family gathers in Jason's study where he instructs them to put on special one-of-a-kind masks, which he says are "crafted by an old Cajun". Series: Twilight Zone Entertaining in parts – I mean, who doesn’t love seeing horrible people getting their just desserts.

Notably, family members Wilfred (Milton Selzer), Emily (Virginia Gregg), Paula (Brooke Hayward), and Wilfred Jr. (Alan Sues) are required to wear special masks throughout the evening—with a horrifying result.

I’ve seen reviews that condemn his Jason Foster for being just as bad as the rest of the family, but I never saw it that way. On the other hand, Ready Or Not's Le Bail assisted the Le Domas family in gaining their wealth through board games. Subscribe to Senses of Cinema to receive news of our latest cinema journal.Enter your email address below: Credit for the genius of the original series of The Twilight Zone is routinely attributed to its droll, visionary chain-smoking architect Rod Serling – a 1950s equivalent of today’s Social Justice Warrior, who saw television fantasy as a vehicle for social commentary – and a select few of its hired fantasist scribes, among them Richard Matheson and Charles Beaumont. Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Pocket (Opens in new window), Click to email this to a friend (Opens in new window). I had never heard of Milton Selzer until I started really watching TZ as an adult, then I started looking out for him in other 60s TV shows – he made several appearances on Mission Impossible and other shows, usually a background character, but he was good enough to be able to add something special to every role he played. This is the dimension of imagination.

Ready Or Not features an Easter egg to The Twilight Zone's iconic season 5, episode 25, "The Masks", which has a deeper meaning than just symbolism.

It is noteworthy that both of the episodes of The Twilight Zone that Lupino participated in converge around the theme of projected selves versus true selves.

Cranky and candid, Jason is not cheered by the arrival of his daughter Emily Harper and her family: husband Wilfred, son Wilfred Jr., and daughter Paula.

This old man, Jason Foster, is dying The movie follows the Le Domas family and their sadistic tradition of playing a game that's dictated by the spirit of a man named Le Bail, who supposedly played a hand in starting their family's dynasty.

As a form of revenge, he makes them wear the masks that make their outward appearance permanently reflect who they truly are on the inside.

However, some credit is also due to the show’s neglected roster of directors. Episodes like this one are so short, and yet so wordy! While the denouement of the episode will be predictable to modern audiences weaned on anthology shows with ‘gotcha’ endings in The Twilight Zone tradition – not to mention movies predicated on twist endings, from the work of M. Night Shyamalan to Saw (James Wan, 2004) – there’s still much pleasure to be derived from Serling’s Gothic morality play. Specifically, this offering deserves praise for its chilling background music, acerbic lead performance from Robert Keith, and cruel but satisfying twist in the penultimate scene. Decade: 1990s A page for describing Analysis: Twilight Zone S 5 E 145 The Masks. After asking his family to wear masks with disfigured faces, the clock strikes midnight and upon their removal, they discover that their faces now look like their masks. In fact, Milton Selzer is the real surprise of the episode.



He makes them all wear creepy masks (each representing a different vice) that they must not remove until midnight, otherwise they won’t get any inheritance money. Above and beyond, a true pleasure; re-watchable. An old man on his deathbed forces members of his family to wear creepy masks until midnight. Using grotesque imagery to convey a moral lesson, “The Masks” is a haunting episode of The Twilight Zone. As a film star, Lupino had commanded the screen in the likes of They Drive by Night (Raoul Walsh, 1940), High Sierra (Walsh, 1941) and The Sea Wolf (Michael Curtiz, 1941); and as a film director, she had helmed a series of pulpy women’s dramas in the early 1950s. While the direction of The Twilight Zone episodes is typically rote, with none of the flash or overt stylisation that would later become synonymous with dark television fantasy (for example, Twin Peaks), it is precisely this professional execution, this mechanised colouring within the contours of the rich scripts and television’s ‘house’ style, that eases viewers into the outlandish premises and subversive mind-bombs lobbed by the scriptwriters, into the “land of both shadows and substance, of things and ideas” promised by Serling’s opening credit narration. In addition to providing the perfect medium for Serling and company’s barbed morality plays, the flourishing television medium also provided a second wind for many female stars of the 1930s and ’40s, too old to carry movie vehicles for sexist Hollywood but familiar enough to headline variety shows, sitcoms and self-contained episodes of anthology shows and playhouse dramas, simultaneously bestowing some of the residual glamour of the silver screen onto television. The Twilight Zone Episode 145: The Masks April 15, 2018 2 Comments An old man on his deathbed forces members of his family to wear creepy masks until midnight. What we have is a man who has long given up on his family and survives on this veneer of nastiness, but we see the reactions of others, and we know how much of a cover it is. A one-stop shop for all things video games. Dr. Thorne observes, "This must be death. As the hours tick by, all four beg to be allowed to take off the masks, saying that they are unbearable.

The word “play” deserves some emphasis here, both for the show’s playfulness and its innate theatricality. Notes



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In 2009 the original episode was adapted as a graphic novel, "Rod Serling's The Twilight Zone: The Midnight Sun", by Mark Kneece and Anthony Spay. They reluctantly concede and put on their masks.

The Twilight Zone Episode 89: To Serve Man, The Twilight Zone Episode 5: Walking Distance, The Twilight Zone Episode 135: The Long Morrow.



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